[technical text for usage by art specialists, gallery staff, etc. with an in-depth look at ways to exhibit the project]
1/ Active - the classic way
tAn art performance is reperformed in the gallery, public place, or assigned space which fits the concept. We recreate the idea of the concept live in front of the audience, which could be just people walking by or a particular group- gallery visitors, politicians, or any other group to which we want our message to be explicitly addressed towards to.
This method is relatively easy, as it does not require special equipment or specialists who are not typically included in gallery stuff already.
This method was used in exhibitions in the Gvul Gallery, Binyamina Gallery, Playground Munich and our unauthorized art performance on Tel Aviv Art Museum premises.
2/ Passive - a more flexible and low-budget option
The documentation of the art performance, such as video, photos of the performance or a canvas filled with numbers hand-crafted by us, is presented in the gallery. This method does not involve the performance process but rather a representation of the performance.
This method is the only one that is possible to exhibit without our presence. It's also suitable for galleries that we physically can't reach due to visa issues, high travel costs, or any other obstacle.
With our remote presence, this method was used in the Bravery group exhibition by Banda Agency in Kyiv.
3/ Active Alternative- the hard way, for exceptional cases
In places where the performance is impossible to reperform due to physical inability, laws, or any other obstacle, the numbers could be projected as a static or moving image from a powerful projector attached to a drone, crane, roof, or tripod.
We could use this method in front of the parliament, on private property, or in physically unreachable places like walls and lakes, or in case we are just not allowed legally to draw and perform on some area of land.
This method is more complex in terms of specialists and equipment needed and a bigger budget. In every case, there must be a lot of planning as to which equipment is necessary, as well as a specialist with light projecting such as a gaffer, an SFX specialist or someone with similar experience.